The Italian Bruce Springsteen, that’s how many critics have described Ligabue and his music — not only for his sound, strongly influenced by U.S. classic rock, nor for his lyrics about love, rock & roll, and dreams of escape (with Italy’s Via Emilia in place of Route 66), and not even for his look. No, such a comparison is mainly due to the impact that Ligabue has on his wide audience and to the way in which his fans strongly identify with his songs. Authenticity, sweat, and electric guitars: these are the ingredients of a recipe that, with very small changes during the years, have made him one of the most successful Italian rockers of the last two decades, second only to Vasco Rossi.
Born in Correggio, not far from Reggio Emilia, on the 13th of March, 1960, Luciano Ligabue had diverse work experiences during his pre-rock years, including farmhand, blue-collar worker, salesman, city councilman, and DJ. Accompanied by a band called OraZero, in 1987 Ligabue won a contest for unsigned bands, which during the following year allowed him to record his first 7″, including the songs “Bar Mario” and “Anime in Plexiglass.” Between 1988 and 1989 singer/songwriter Pierangelo Bertoli recorded two of Ligabue’s compositions, “Sogni di Rock & Roll” and “Figlio di un Cane” (on the Tra Me e Me and Sedia Elettrica albums, respectively). With his new backing band, ClanDestino (Max Cottafavi on guitar, Gigi Cavalli Cocchi on drums, and Luciano Ghezzi on bass), and with Elio e le Storie Tese’s Paolo “Feiez” Panigada as a sound engineer, Luciano released his debut, Ligabue, in 1990. Including both romantic ballads and crisp rockers, the album sold 500,000 copies, while the first single, “Balliamo Sul Mondo,” won that year’s edition of Festivalbar Giovani.
In 2004 Ligabue published the novel La Neve Se Ne Frega, and Teramo University awarded him a degree honoris causa in communication sciences. In September 2005, a few days before the release of Nome e Cognome, Ligabue organized a huge live event at Reggio Emilia’s Campovolo (near the city’s airport), with four stages and a total of 180,000 people (the largest paying audience of all time in Europe for a single artist). In 2006 he published the five-DVD set Nome e Cognome Tour 2006, while the single “Happy Hour” won the Festivalbar. In the same year he also wrote a song for Elisa, “Gli Ostacoli del Cuore,” included in her greatest-hits collection Soundtrack ’96-’06, and published the poetry collection Lettere d’Amore Nel Frigo. Primo Tempo, released in November 2007, was the first volume of a double anthology spanning from 1990 to 1995; the second half, titled Secondo Tempo and including material from 1997 to 2005, is to be released in May 2008. ~ Aurelio Pasini, All Music Guide